In the days when Augustus Caesar was master of many kings and Herod reigned in Jerusalem, there lived in the city of Ecbatana, among the mountains of Persia, a certain man named Artaban, the Median. His house stood close to the outermost of the seven walls which encircled the royal treasury. From his roof he could look over the rising battlements of black and white and crimson and blue and red and silver and gold, to the hill where the summer palace of the Parthian emperors glittered like a jewel in a sevenfold crown.
Around the dwelling of Artaban spread a fair garden, a tangle of flowers and fruit-trees, watered by a score of streams descending from the slopes of Mount Orontes, and made musical by innumerable birds. But all colour was lost in the soft and odorous darkness of the late September night, and all sounds were hushed in the deep charm of its silence, save the plashing of the water, like a voice half sobbing and half laughing under the shadows. High above the trees a dim glow of light shone through the curtained arches of the upper chamber, where the master of the house was holding council with his friends.
He stood by the doorway to greet his guests—a tall, dark man of about forty years, with brilliant eyes set near together under his broad brow, and firm lines graven around his fine, thin lips; the brow of a dreamer and the mouth of a soldier, a man of sensitive feeling but inflexible will—one of those who, in whatever age they may live, are born for inward conflict and a life of quest.
His robe was of pure white wool, thrown over a tunic of silk; and a white, pointed cap, with long lapels at the sides, rested on his flowing black hair. It was the dress of the ancient priesthood of the Magi, called the fire-worshippers.
“Welcome!” he said, in his low, pleasant voice, as one after another entered the room—”welcome, Abdus; peace be with you, Rhodaspes and Tigranes, and with you my father, Abgarus. You are all welcome, and this house grows bright with the joy of your presence.”
There were nine of the men, differing widely in age, but alike in the richness of their dress of many-coloured silks, and in the massive golden collars around their necks, marking them as Parthian nobles, and in the winged circles of gold resting upon their breasts, the sign of the followers of Zoroaster.
They took their places around a small black altar at the end of the room, where a tiny flame was burning. Artaban, standing beside it, and waving a barsom of thin tamarisk branches above the fire, fed it with dry sticks of pine and fragrant oils. Then he began the ancient chant of the Yasna, and the voices of his companions joined in the beautiful hymn to Ahura-Mazda:
We worship the Spirit Divine,
all wisdom and goodness possessing,
Surrounded by Holy Immortals,
the givers of bounty and blessing.
We joy in the works of His hands,
His truth and His power confessing.
We praise all the things that are pure,
for these are His only Creation;
The thoughts that are true, and the words
and deeds that have won approbation;
These are supported by Him,
and for these we make adoration.
Hear us, O Mazda! Thou livest
in truth and in heavenly gladness;
Cleanse us from falsehood, and keep us
from evil and bondage to badness;
Pour out the light and the joy of Thy life
on our darkness and sadness.
Shine on our gardens and fields,
Shine on our working and weaving;
Shine on the whole race of man,
Believing and unbelieving;
Shine on us now through the night,
Shine on us now in Thy might,
The flame of our holy love
and the song of our worship receiving.
The fire rose with the chant, throbbing as if it were made of musical flame, until it cast a bright illumination through the whole apartment, revealing its simplicity and splendour.
The floor was laid with tiles of dark blue veined with white; pilasters of twisted silver stood out against the blue walls; the clearstory of round-arched windows above them was hung with azure silk; the vaulted ceiling was a pavement of sapphires, like the body of heaven in its clearness, sown with silver stars. From the four corners of the roof hung four golden magic-wheels, called the tongues of the gods. At the eastern end, behind the altar, there were two dark-red pillars of porphyry; above them a lintel of the same stone, on which was carved the figure of a winged archer, with his arrow set to the string and his bow drawn.
The doorway between the pillars, which opened upon the terrace of the roof, was covered with a heavy curtain of the colour of a ripe pomegranate, embroidered with innumerable golden rays shooting upward from the floor. In effect the room was like a quiet, starry night, all azure and silver, flushed in the East with rosy promise of the dawn. It was, as the house of a man should be, an expression of the character and spirit of the master.
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Enjoy a Christmas presentation of Mark Prophet reading “The Other Wise Man,” by Henry Van Dyke, with visuals from the original. (47 minutes.)
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